As an example of the coiling process, here is how I would sculpt a stoneware giraffe, I have used the following steps:

1) Start with a flat clay base, usually the underbelly of the creature, and make a hole in it so that it will not explode in the kiln (resulting from air pockets that would expand during the heating).

2) Roll out a sausage shaped coil with your hands until even throughout its length and of a diameter that is suitable for the piece, in this case about half an inch. Work the clay thoroughly so that it has no air pockets and attach to the inside and outside of the base.

3) Slowly build up the coils following the shape you require; in this case, the body of a seated giraffe. Make sure that all layers are connected securely and have no gaps or air pockets.

4) Make the limbs or appendages as separate pieces and take great care in attaching them to the main body. Again, there should be no air gaps between the main body and the limb.

5) At this stage, especially on larger pieces, I find that it is sometimes necessary to allow the piece to dry out slightly. This makes it a stronger base to take the additional weight of clay as you build up the entire sculpture.

6) Continue to coil upwards following the desired shape, following all of the precautions mentioned above.

7) As you continue to build up the sculpture, work on the subject with great care. You will probably need to give it additional support on some parts. Bear in mind that it can become very delicate before firing.

8) Before the clay is too dry, you can begin to add texture and markings. The piece should be on the point of hardening but you should be able to make a mark with your finger nail with ease.

9) Now you have your piece prepared for firing, but it still needs to dry out thoroughly before putting it in the kiln. I find that smaller sculpture will dry in about a week at normal room temperatures. A larger sculpture, such as the one here will normally need up to three weeks drying time before firing.